Cluster Detail
Maharashtra     Jalna     Chandan hira


 

 

A cluster is defined as a geographic concentration (a city/town/few adjacent village and their adjoining areas) of units producing near similar products and facing common opportunities and threats. An artisan cluster is defined as geographically concentrated (mostly in villages/townships) household units producing handicraft/handloom products. In a typical cluster, such producers often belong to a traditional community, producing the long-established products for generations. Indeed, many artisan clusters are centuries old Artisan.

 

About Chandan hira  Cluster:-

 

Chandan hira Cluster falls under Maharashtra State in Jalna district.

 

The Chandan hira cluster is able to form 200 plus Artisans & 15 SHGs supporting the strong work force. The mobilization gains momentum day by day.

 

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Metal Ware:-

 

Copper ware is a traditional craft of Maharashtra which is practised in Ambernath, Thana, Kalyan, and Nasik. The wide range of copper articles produced at the units here include perforated chandeliers and lamp stands, ashtrays, glass holders, paper cutters, pin cushions and trays. Articles such as decorative door handles, key chains, cuff links and moulded figures of Trimurti (the Hindu trinity of Shiva, Vishnu, and Brahma) are prized possessions amongst tourists and for export markets.

The art of silver inlay on a metal alloy, called bidri, came to Maharashtra from Andhra Pradesh along with artisans who migrated from Bidar to Aurangabad many years ago. The major products crafted are decorative wall plaques. However, in pilgrimage centres like Nasik, initially only ritual objects such as idols of gods and kumkum boxes were crafted in silver but with growing demand, other articles such as paandans, gulabdans, attardans, bowls and trays have been added to the list.

 

The metal craft of Maharastra has socio-cultural links and according to the traditions of the state, the bride is presented with a set of brass and bell metal articles for starting off her new home. However, in all major temples almost invariably the moving image or the `Chalanti Pratima` of the presiding deities is made of brass. Among the major icons, the large brass image of Radha in the`Sakhigopal temple` in Puri district , images in temples in Ganjam district, Krishna, Radha, Ganesha, Gurundi Gopal and Laxmi idols are created with the brass metal. The artisans generally create items based on the motifs of human heads, kings, `Manas` or miniature replica of measures; other items include containers with lids, with or without locking devices, candle stands, ashtrays, pen stands, bowls, plates, spoons, glass, tumbler, bells, thali (plates), handi, baltis (buckets), gina (tumblers), pots and pans, ladles or `Chatu`, perforated flat cooking spoons etc. Even items like the brass fish and snakes are made by the craftsmen of Belguntha in Ganjam district.

 

 

Raw Materials:-

 

In India, Brass and Copper are used for making various usable objects since ancient time. It has a rich tradition of making metal objects which are used for both religious and secular purposes. A wide variety of objects include standing lamps, aarathi (votive lamps), deepalakshmis, hand lamps and chain lamps. Shallow dishes circular, hexagonal, octagonal and oval shapes are widely used and are made out of bronze or sheet brass. The popular Thanjavur plates are characterized by designs of deities, birds, flowers, and geometric patterns beaten out from the back of copper and silver sheets and subsequently encrusted on a brass tray, kudam or panchpaathra. Metal toys are also popular and are sold at various gift outlets in various towns and cities of the state.

 

 

Process:-

 

The craftsmen cast their own pieces, making moulding clay from sand, resin and oil in proportion (20:2:1) and add borax to the clay surface to prevent the metal sticking.The alloy, the darkened zinc used as base is described as nine to sixteen part of zinc to one of copper, is melted and poured into the moulds and solidified.

 

The surface of the rough cast of the articles is filed and smoothened with sand paper and then rubbed with a solution of copper sulphate to impart a dark surface to provide a suitable base for the next stage of tracing the design and engraving.

 

To engrave the design, wax from honeycomb and Raal a bonding agent is used. This solution is spread on a flat stone and the article to be engraved is fixed on it. The design is traced by hand, with the help of chisels and pure silver wire of 95% purity is inlaid in the grooves to form designs. There are five different types of tools used for engraving.

 

In the ultimate interesting stage, the articles are heated gently and treated with a solution of sal-ammoniac and earth taken from old fort buildings, which has the effect of making the entire surface turn jet black providing a distinct contrast to the shining silver inlay.

 

It is this contrast that lends Bidri a uniqueness that no other metal ware could possibly claim. Finally, oil is rubbed on the piece to deepen the black matt coating. The entire process is done by hand hence, is time consuming.

 

 

Techniques:-

 

The techniques of metalworking follow the same principles, whether the scale of design is industrial or sculptural, or even at the tiny scale of a ring or a pair of earrings. Furthermore, many of the basic techniques also relate to work in other media.

 

Applique:- The technique of creating a design by soldering or granulating cut-out shapes of sheet metal to another metal surface.

 

Casting:- The process of shaping a molten metal by means of a mold.

 

Chasing:- A technique for surface embellishing of metal accomplished by driving pointed tools into the metal.

 

Enameling:- The fusing of a glassy substance onto metal. Enamels are combinations of flux and metal oxides (for color). Cloisonne is one of the better known enamel techniques.

 

Repousee:- A technique of pushing metal out from its reverse side using hammers and punches in order to create a low relief design on the front.

 

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How to Reach:-

 

Jalna town is well connected to state capital and national capital by broad gauge railway line. Major towns of the state are also connected by state highways.




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Maharashtra     Jalna     Bharat Vikas Bahuddheshiya Sanstha