Cluster Detail
Mizoram     Aizawl     Hnam


 

 

A cluster is defined as a geographic concentration(a city/town/few adjacent villages and their adjoining areas)of units producing near similar products and facing common opportunities and threats.An artisan cluster is defined as geographically concentrated (mostly in villages/townships)household units producing handicraft/handloom products.In a typical cluster, such producers often belong to a traditional community, producing the long-established products for generations. Indeed, many artisan clusters are centuries old Artisan.


About Hnam Cluster:-

 

Hnam Cluster falls under Mizoram State in Aizawl district.


The Hnam cluster is able to form 360 plus Artisans & 28 SHGs supporting the strong work force.The mobilisation gains momentum day by day. Hnam Cluster is famous for Cane, Bamboo and Wood Carving.

 

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Cane and Bamboo:-

 

The tribal belt of Mizoram are Christians and have a tradition of crafts. Women are mostly involved with weaving and the men are into cane and bamboo crafts. Like in other states of the hilly north-east, Mizoram also has this raw material in plenty and so the inhabitants of this place are into it for ages. Mizos, the inhabitants of Mizoram make different use of this fibre. Different use includes house making and furniture apart from baskets, weaving tools, umbrella-handles, mugs, hats, fish baskets, pipes, toys etc. In furniture they make everything from sofas to chairs to tables and mooras etc.

The craftsmanship of the Mizos in cane and bamboo is best displayed in the different shapes and sizes of the baskets that are easily found. Baskets are made for different purposes. Broad baskets are meant for cotton, vegetables, firewood etc. The closed baskets are used for grains. Sometimes other fibres and leaves are also used along with cane and bamboo.

 

Cane and bamboo are the two most commonly-used materials in daily life in Mizoram.Products ranging from household implements to construction of dwelling houses to weaving accessories to musical instruments are made in bamboo.No mechanical devices are used in the craft, which is mainly a household industry.Besides basket-weaving, bamboo is used chiefly in the construction of houses and fencing.The craft traditionally provides part-time employment to cultivators in the lean season, although, increasingly, full-time artisans engaged in commercial activity can be found now.

Bamboo products are in evidence everywhere in Mizoram.There are innumerable types and shapes of the bamboo basket, varying with the use to which they are put.The men of the household usually weave the bamboo baskets.Each district has its own distinctive style.In general, conical baskets are used as carrying baskets and square or round bottomed ones are used for storage.An example is the Mizoram bamboo basket from Silchar.This has a square base that is capped inwards so that the corners of the square act as a support and it has a wide mouth.It is used for storing betel nuts.The Bodo bamboo basket is made with the help of a mould, which is used to get the shape of the neck and the mouth.From the neck to the bottom, brown paper is made into a cone and put into the basket so that its tip touches the bottom.Sand is filled inside to retain the shape of the cone and the weaving follows the shape of the cone.


Dolls and toys are also made with cane and bamboo.Apart from human and animal figures, toy shotguns and musical instruments are crafted.Umbrella handles made of bamboo are a speciality and have designs of leaves, creepers, plants, rings, and crosses etched on them.A special variety of bamboo known as the muli is used for the handles.

 

 

Raw materials:-

 

Mizoram being rich in raw materials has a large variety of beautiful products.The hill and the plain people, each have their own styles & designs.Apart from making baskets, cane & bamboo are also turned into furniture items, comparatively more modern innovation.Materials made of Cane and Bamboo are one of the very oldest of men creations, done by joining grass with grass and interlacing leaves with the minimum tools.It was considered clean for religious purposes.One of the finest examples of craft skills in Mizoram is its cane work.The raw material, profusely available in its lush forests, provides the industry with its strength and sustenance.

 

 

Process:-

 

The whole stem of cane and bamboo is cut with a hacksaw and split longitudinally into various sizes by a billhook.The cane is heated on a slow fire, generally with a kerosene lamp for flexibility.The objects can be made in two different forms: coiling for baskets; and weaving for mats.In coiled basketry, foundation of the basket is built first by coiling a cane round a central core.It is built up spirally and gradually the width is increased until desired height is attained.The coils are joined together by sewing strips which can be attached in two ways: each stitch passed over the new portion of the foundation coil.Figure of eight is made i.e., the stitch passes behind up, over and under the preceding coil and right over the new coil.Thus coil material is sewn with the strips and a basket is made.The ornamentation of the baskets can be done with attaining lace, paper and shells.

The craftsmen cut the bamboo into sizes of desired length with the help of cutting tools called Dao.Bamboo length cut as per thickness with the help of different kinds of knives.The material thus ready is used for making frame of an article or furniture where as pencil cane is used for designing and binding purpose.The thick cane is used for making frame of an article or furniture where as pencil cane is used for designing and binding purpose.The cane is bend in the desired shape for a furniture or article by process of heating with blow lamp.The ends are joined with adhesive and nail and the joints are binded with strips of pencil cane. The items produced in cane & bamboo are cleaned with sand-paper and polished with varnish.

The production of cane and bamboo articles involves the cutting of whole stems with a hack saw and slicing them into splits of various sizes using a bill hook or dao.Slicing is done longitudinally along the length of the densely packed fibres and a fairly smooth operation, requiring only the requisite amount of moisture in the culm.A kerosene lamp is used to heat the cane before it can be bent into shape.

 


Techniques:-

 

There are various stages that go in the production of cane products, beginning with the collection of raw material from the forests.To obtain a smooth surface, the upper layer of raw cane is scraped off.The long cane sticks are cut into smaller pieces that are followed by splitting the cane to obtain thin strips.Cane can be further split, making it as thin as required.The split cane is now bent using a blowlamp that may cause some burns on the surface; these are removed by rubbing with sandpaper.Following this, the cane can be woven based on the design of the articles being fashioned from it. After the finishing touches have been provided, the products may be dabbed with a coat of varnish before being dispatched to the market.

 

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Wood Carving:-

 

Some of the finest wood carvings in the Northeast are found among the people of this region. The wood carvings are usually of human figures or decorative pieces that adorn the youth dormitories in these villages and sculptures erected in memory of the dead. In ancient times, woodcarving was associated with religious beliefs

 

Even today the front door of each household, which is considered a sacred threshold, has intricate wood carvings of Hindu deities and auspicious motifs like the hamsa/ mythical swan, padma/ lotus, poornakumbha /cornucopia, kaamadhenu and patterned floral motifs.

 

Other carved wooden items include small shrines and deities, low carved stools for marriages, carved fans for the deity, fertility couples and various small ceremonial containers. The carved panels of deities fixed to either end of a metre-long pole were the other ceremonial items. These panels are called kavadi and afre carried on the shoulders of a person to fulfill the vow to Lord Murugan or Karthikeya. Household kitchen instruments in wood such as grinders, vegetable cutters and serving ladle holders are items given in dowry.

 

Lathe-turned and lacquered toys in bright colors and at affordable prices are popular all over the state. Carved wooden toys, dolls and elephants exhibiting the skills of the artisan are also made.

 

 

Wood Carving’s Raw Materials:-

 

Basic Material : Bhurkul or gular wood, mango wood, green bamboo, shisham wood.


Colouring Material : Alta, turmeric.


Basic Material : Doodhia wood, lac, lac stick, oil, old cloth, coloured paper.


Basic Material : Remnants of cloth, bamboo, rags, paper.


Colouring Material : Dye colours.


Basic Material : Punki wood, tamarind seeds, lime glue, brush, water colour, oil colour, red sanders wood.


Basic Material : Cloths, colours, waste material for stuffing, coloured papers, clay.

 

 

Wood Carving’s Process:-

 

The wood as per the size of the form to be made is cut from the block. The piece is cleaned and smoothened. The design of the toy to be made is traced on this piece. Extra wood is chipped off according to the design. Fine strokes with the hammer are made on the chisel, which is placed on the area to be shaped. It is smoothened with a file and painted. The painting starts with coloring various body parts. Next the dresses with specific designs are marked out by fine strokes of the brush. The facial features are added in the end.Sugga (parrot) are the wooden toys fixed on the marriage mandap. The mosara, (central part), charkhi and sugga (parrots) are made by the same process These are joined by bamboo killi (screw). The marriage post is coloured with yellow (turmeric), red (alta) and green colours.

 

The lacquering is done by pressing the lac stick against the revolving article. Oil is also applied at the same time for giving the better polish. Leaves of a kind of flowering cactus are used for polishing. The articles are either in single colour or in bands of different colours. The complicated designs and colour schemes are effected by manipulating the lac turnery and using the multifarious techniques.In Jaipur, the toys are made out of old cloth dyed afresh and stuffed with waste material. When they are gaily decorated with coloured paper and tinsel they look very alive especially with their expressive faces.

 

Rag dolls are made out of remnants of cloth usually thrown away. These are painstakingly collected and dyed into different shades to work out a variety of colour schemes. The eyes and mouth are indicated by black line . In case of a Rani doll, the clothes & body are fully decorated.

 

 

Wood Carving’s Techniques:-

 

Each wooden piece that is cut to make an item is subjected to a process of slow heating to draw out all moisture. Every single limb is separately carved and joined to the body with adhesive paste of tamarind seeds, and later passed through a coating of lime glue. The painting with colours is done by very fine precision with brushes made of goats hair. Water and oil colours are both used. Lacquering is done on a lathe, hand or is machine operated. For turning slender and delicate items, hand lathe is considered suitable. In the lac turney method, lac is applied in a dry state that is the lac stick is pressed against the woodenware to be lacquered. While the latter keeps revolving, the heat generated by friction softens the lac, making the colour stick. Lacquer ware toys are produced in this way. It is with remarkable skill that the craftsmen manipulate the stick where several colours are used. Some of the lacquered pieces are painted with a brush.

 

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How to reach:-

 

Nearest airport is Aizawl. Aizawl is connected to Kolkata, ( 1 hr 45 min ) and Imphal ( 30 min ). Nearest railhead is Silchar which is in Assam ( 184 km away). NH - 54 connects Aizawl with the rest of the country through Silchar. Buses and taxis are available from Silchar to Aizawl ( 6-8 hrs ).

 

 




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Mizoram     Aizawl     Hnam Chhantu Pawl